hot kayaking

Kayaking trips coming hot and heavy now, as is the weather.

On Friday June 25th I went down to the 117 put-in after work and headed upstream. Water levels are very low right now and being sunken down into the riverbed I didn't have the great view of the wide-open marshes the way I did last time I came through there. But I had even more of a chance to see all the birds and muskrats, who were quite active. I also saw thousands of small dragonflies with drab coloring, perhaps because they're young. I thought one settled on my bow, facing forward, but he was on there for so long that I realized it must be some piece of straw that got stuck to my bow. I turned around before the route 27 bridge and paddled back downstream for a 2-hour trip or so. When I got out of the kayak and went to pull her up on the bank, the piece of straw became a dragonfly again and flew away.

On Sunday the 27th Dave and I went to the Lowell Street put-in, where it was very muddy with the river so low. Crowds of people were paddling various things up and down stream, but we detoured immediately onto the Assabet and didn't see a soul for an hour or so, until we ran into a couple of other kayakers in West Concord. We continued to the route 2 bridge, and then turned around and floated back. Strange how few birds there were on the Assabet. We saw one muskrat, a couple of extended family groups of Canada Geese, and a group of large ducks(?) with red ruffs.

Sometimes It Takes Balls

We went to Johnny D’s to see Elizabeth Cook last night and had a great time. She had a three-piece combo with her husband Tim Carroll on guitar and Tom ?? on huge bass. We had great seats at a table in front of the stage and downed Greek burgers and Lagunitas Pale Ale before the show.

Elizabeth came on and started crooning and impressed more and more through her two sets. She plays a great blend of tear-twangers, quirky alt-rock, slow but tough love songs, and traditional country with originals about evenly mixed in with covers from all over. As the evening went on her voice began to really shine until she was just commanding the room with her vocals. They played I Can’t Help It If I’m Still in Love With You and after a brilliant bridge by Carroll, Cook came in at full volume and boy, did she convey the heart-ache at the core of that song!

She did El Camino and Heroin Addict Sister of course, and also the great Blackland Farmer. She also played Mama’s Funeral followed immediately with a song that her Mama had written. Cook encored with her anthem, Sometimes It Takes Balls To Be a Woman (I noted that during her sets she reprised every song of hers that Cousin Kate played this past Sunday) … followed with (just to show how odd they are) the bluegrass-gospel song, Working On a Building.

Great show! This was her first time in the area and I’m hoping she comes back again.

Upper Assabet and Middle Concord

Recent kayak trips:

After work on Thursday the 17th we put in where the Assabet River Walk begins above the first waterfall in Maynard. The river was quite shallow here and turtles popped their heads above the water to look at us. We had a very nice, very long upstream paddle to the Gleasondale Dam. I'd tell you more about it but why repeat this account of a similar trip??

Yesterday I beat the heat a bit by putting in at the 225 landing in Bedford and heading upstream for an hour or so before floating back. There were some huge beaver lodges ... they must have used a crane to get some of those heavy branches up on top.

no paddle

I'd been meaning to go kayaking after work lots of times this Spring and hadn't, but I was determined to go today even when it started raining. I was carrying my kayak down to the shore at the 117 put-in when a little boy there engaged me in conversation:

"What kind of a kayak is that?"

"A red one."

"What do you do with it."

"I go paddling in the river and the ocean."

"You forgot your paddle!"

"It's up at the car."

"You'll get wet!"

"Say, that's a nice Spiderman life jacket you have."

"Yeah, I'm the *only* one in the family with a picture on his life jacket! [Can you believe those dweebs?]"

I went back up to the car to get my paddle and realized he was right. So I used a branch to get around a bit, got soaked by the beautiful rain, saw a couple of beavers closer than I ever have, and a lot of birds.

I'll do better next time.

WUMB Music Fest 2010 (whilom BFF)

On Sunday June 6th we went to the WUMB Music Fest at the UMB campus. It was the latest iteration of the Boston Folk Festival, rebranded to soothe the souls of patrons and alumni. The main stage was under a massive tent on the East soccer field and they also had the traditional Coffeehouse Stage and also a stage in the chemistry(?) lecture hall (Lipke) where we'd seen Daisy Mayhem jam with the Resophonics a few years before.

Eli's graduation was scheduled for that day but was postponed by the threatening thunderstorms and so Dave and Eli came along with us. Andrew met us there.

We all started with Chris O'Brien on the Coffeehouse Stage at noon. There was no coffee there! But Chris had some great songs and was a pleasant way to start the day. I stuck around for Anais Mitchell next, and she was very impressive. Not a great voice or guitar technique, but she knew exactly what she had and made the most of it. She's recently written and led a folk opera called Hadestown and played a couple of songs from it. It was obvious that her sensibility came from a musical theater place because she was totally in control of her songs, their effect, and the pictures they painted. A very entertaining set.

Les Sampou was up next with veteran Taylor Amerding on mando lead. I've been listening to Les since her songs first got on the radio but had never seen her and I was in rapture. Almost all of her set was from her recent record and she probably would have liked it if the crowd reacted more ... but it was a coffeehouse you know. Taylor was obviously having a great time and his tricky and loose solos proved it.

Moved to the Lipke stage next for The Kennedys who were as perfect as they always are. After opening with the classics: Life is Large, River of Fallen Stars, Wall of Death, Maura played a couple of songs from her recent solo record and then Pete did a couple of solos, including a classical tune on uke. They rejoined on stage for Midnight Ghost, closed with Stand, then came back for an encore and did Matty Groves. You could have set your watch and your state of mind by their set, it was so steady, fun, and exactly as exuberant as you'd expect. I love those guys.

Next up was Gandalf Murphy and the Slambovian Circus of Dreams ... I'd never seen them before but they were exactly what I expected as well! I don't know about you, but I knew several ragtag bands in college years who spent more time tuning up than they did playing (at least it seemed that way). Most of the acts here had started on the hour and played for 45 minutes like they were supposed to, but Gandalf Murphy and friends were still packing instruments and amps and stuff out onto the stage at the top of the hour and were still tuning up until about 20 after. They started a song and then Murphy realized his guitar had cut out, so they fixed that and then started over. They made some great sounds for 5 minutes or so and as they reached a crescendo the power cut out. Very enjoyable ... we thought this must be part of their act!

They recovered from that start in a very folky way and the packed hall approved. They stood up front on the stage, hushed everybody, and strummed their instruments as hard as they could while harmonizing on High as a Hilltop, Home on the Range, and then Donovan's Try to Catch the Wind. Everybody sang along with Home on the Range of course, and it's amazing how many people knew the words to Try to Catch the Wind ... the audience almost drowned out the performers. The power came on before the band died of embarrassment at the schmaltziness of it all, and they started to seriously jam on. We left at the top of the hour to get seats over at the Field Stage for David Bromberg.

We snagged seats in front of the stage and then got some overpriced pad thai and veggies from a vendor. Bromberg came on and he was exactly what one would expect: a crackerjack band and a very eclectic set. He did everything from self-penned blues (also Statesboro Blues) to traditional country/folk (Dark as a Dungeon) to the Orange Blossom Special. He also did some classic Bromberg, like Watching Baby Fall which is one of my all-time favorites.

As he played the thunderstorms moved in and shook the huge tent like you wouldn't believe. I was almost afraid it would fall down or pull up at the corners. We could see one of the vendors' tents disappear in one super gust. But we made it to the end and the sun came out in time for the drive home. All in all, lots of fun.

Crooked Still at Sanders Theater

On Saturday, May 22nd we went into Harvard Square to see Crooked Still (http://www.youtube.com/user/crookedvids) at the Sanders Theater, me with a wicked cold. Sanders has great sound, great woodwork, statues, and ambiance, but is a little cramped and crowded, like an old ballpark. I was just cranky I guess!

Sarah Jarosz opened and it was one of those things where you could tell instantly, "This is a Musician!" Great banjo playing, and then switched to two different guitars: intelligent songs, and effortless pitch.

Crooked Still came on and they're just too good. Besides the fact that each one is a master of his/her instrument, that they meld together effortlessly, and that they can play the phonebook and make it sound fascinating, the incredible thing about them is that they're a truly unique band. No other band that I know of has this combination of instruments (fiddle, banjo, cello, double bass, and voice). It's eclectic yes (sometimes my mind really felt the lack of a guitar to hold them together, in fact Aoife O'Donovan strummed one on a few tunes), but they aren't self-consciously eclectic ... the point is that they sound so marvelous, not that they're breaking new ground.

Ipswich River in May

This past Sunday was chilly but sunny, with a wicked wind. I wanted to go kayaking but wanted to avoid struggling with the wind and so went up to the Ipswich River, looking for a sheltered paddle. I parked in Harold Parker State Park with a couple of other cars with kayak hooks on their roofs and put in.

I went downriver first towards the outfitter's to check it out; there are a couple of falls there that one could probably survive, but I turned around quickly and headed back upriver past where I had put in. There were some people enjoying the park and a few paddling on the river, but I kept going South and West up the river and soon put them far behind.

It would and wound and wound and wound and then split into a few hummocks and then wound and wound some more once it rejoined, etc. I followed along, now very hidden from the wind. There were individual willows and stands of them, and stands of ash, maples, and oaks. I saw a few beeches and probably many other kinds of trees and twisted-together tree structures I can't name. The river varied between being almost a swamp and then having the land close in and becoming a deeper gully between the small hills, though it never got narrower than it was just above the put-in. I went all the way up to and a little past Colt Island, a half-mile or so before going under route 97 and then past the Topsfield fairgrounds. I hadn't seen a soul or heard any sound of civilization for miles and hours. It was beautiful and isolated.

And there were birds all over. If anyone wonders where the Canada geese that shit on their golf courses go to spawn, I found it. I saw hundreds of nesting couples of them, poking their heads up at me suspiciously from the high grass lining the river. I actually saw an albino Canada goose. There were also hundreds of red-wing blackbirds and many other kinds of songbirds, flying angrily at each other and chirping as loudly as they could from trees before zapping over to others. There were also lots of plovers, brown above, brown below, speckled, and white, with the long jointed legs and the narrow, long beaks you're used to seeing on the seashore, but here they were way up the freshwater marsh.

I saw more beaver lodges in that trip than I had seen in my life before. I spotted a couple of beavers, who seemed relatively unconcerned about me ... for beavers that is. Many of the lodges had been chosen by the Canada geese as ready-made nests and one of each pair was roosting on top while the mates paddled around anxiously. The beavers had done a great job of damming the river at one point, and I had to get out and drag my kayak over it, though I found on my way downstream that it was clear on the other side of the hummock. Many other trees leaned precariously over the river, ready to fall or be gnawed down and become dams themselves.

I finally turned around and headed back with the current, making it to the put-in remarkably quickly. The trip had been about five hours in all and, as often happens when kayaking, I found the experience exhilarating. The river was beautiful, chilly, green-yellow, deserted, peaceful, and magical in the height of Spring.

Eilen Jewell at the Bull Run

Sarah took the train out to West Concord on Friday and we headed West, stopping at J.P. O'Hanlon's for a pint of Old Speckled Hen and then driving out to the Bull Run. Our seats in the Sawtelle Room were at the table right in front of the main mic and we were the last ones at the table. The others were all enthusiastic Eilen Jewell fans and we were assured that we were in the right place.

After a quick turkey club I stopped in the gentlemen's lounge and ran into Jerry Miller, who was very gracious when I told him we were really looking forward to the show. The Billy Parker Project opened and really got the crowd going with great country/rockabilly guitar work and very good songwriting. The highlight for us was when the bass player dedicated Why You Been Gone So Long to his 6-year old. We're all in favor of singing about getting stoned and letting the past paint pictures in your head to impressionable young people (seriously!).

Then the Eilen Jewell band came on for an introduction, and then Eilen came out in her pearls and her little black dress (all the band was wearing black ... I had told the guy in the lounge that you could tell the band from the audience by the colors of their clothes). She was dynamite as always, opening with Rain Roll In, and singing the hits like High Shelf Booze, Fist City, and Heartache Boulevard. The crowd was hollering for Shaking All Over throughout and she finally got to it when everyone was ready. It seemed all the folks there were fanatics; our table was certainly shaking. She did one song I hadn't heard (second or third of the set), and announced that her upcoming record was going to be an all-Loretta disk, so I guess they haven't been working on new songs, but who cares? Eilen also did several Billy Holiday tunes, showing her ease at stamping a great song with her own brand.

I was hoping she'd play Dress in Black and shouted it out when Eilen asked for requests (well, being so close I didn't have to shout). She vacillated, but Jason Beek was driving the band hard and opined that they should "stick with the plan." They did ... and when they came out for an encore they did Dress in Black, singing the key line as "Way up in the hills of Shirley." That was the plan I guess. I sure went home happy.

All in all it was one of those wonderful musical evenings that lift you way beyond your Friday or everyday concerns. How could anyone not be inspired by Jerry Miller's guitar or Eilen's shimmying?

Hop Trellis Time

It's been a very early Spring this year for a lot of plants, most of all my hop plant. This started off as 4 rhizomes of different varieties (Cascade, Centennial,Chinook, and Willamette I believe) in 1995 and has now become a monster that produces what I call Aberjona hops (after the nearest river valley of course).

I struggled for several years with what kind of easily maintainable and assembled trellis I could rig for them that would maximize their potential. Then I hit upon this. Some might search for a better word for it than "trellis" ... like "hubcap-suspended-from-a-bit-of-flagpole-nailed-to-a-2x6."

It works fine, though similar trellises have collapsed in years past when the hops are their heaviest in late August. My target harvest date is usually around Labor Day.

Kris Delmhorst at Bull Run

Went to see Kris Delmhorst in the Ballroom (the small upstairs room) at the Bull Run in Shirley on Saturday the 17th. Brendan Hogan opened and played a couple of well-written songs. Kris was at her toneful best. She played mostly songs from Shotgun Singer (over a year old by this point) and sprinkled in some of her earlier stuff, like Juice and June and Broken White Line. A very nice concert but it's a long drive away and we had to wait around forever for our bill. Don't order anything if you're in the Ballroom!

Beer All Over

I was dusting some beer bottles the other day, and telling Sarah about their meaning, when she suggested that I arrange them by that meaning. Here are a few pictures:

South America is in the foreground and is represented by Argentina, Brazil, and Peru. North of there we have Costa Rica and Mexico, with Jamaica and the Dominican off to the right. Farther North is the US and Canada.

Across the ocean there's France. Tucked next to France (left to right) is Belgium, Holland, Italy, Czech Republic, Germany, Denmark, and Poland with Russia way off the the right. To the North of that crowd is Ireland, England, and Scotland. Iceland is to the left of that, and Kenya is of course South of Europe (the only one from Africa!).

Asia and the Pacific Rim is represented by India and Sri Lanka to the left, Tibet, Thailand, and Laos in the middle, China to the North and Japan to the East, and Australia and New Zealand in the foreground.

Here's a group picture:

Then I put them back on the shelf.

Rowley River in April

Went kayaking on the Rowley River yesterday, which was surprisingly deserted of people and birds. We only saw one other boat in the 5 hours or so we were out ... some kind of effete rowboat. And we saw very few birds besides the ubiquitous gulls and cormorants. What we did see was more chop than I've ever kayaked in, out on Plum Island Sound and in the river itself. A very stiff wind was blowing from the west and the only respite we got from it was ducking into folds of the salt marshes. We tried going north along the Plum Island coastline but the chop there was the worst, being a shallow lee shore, and we crossed back over the sound and then slogged back up the river against the gale and the tide. Lots of fun but lots of work. We were paddling pretty hard for almost all of those 5 hours.

porcupines in April

Went up to Maine this past weekend and was kayaking on the Bagaduce on Sunday up by Porcupine Cliff. I snuck up on it quietly and saw one porcupine totally zonked out in the sun on a rock down near the water. I could see the back of another one up by their burrow, and it was moving back and forth like that one was digging at something, and I could hear a squealing that seemed to be accompanying this activity. I coasted a bit farther up and could see that there was a juvenile doing the squealing as he poked his mother (who was trying to get some shut-eye herself) repeatedly in the side, trying to get her to turn over and give him some milk. The Dad down below had just finished mowing the lawn or something and the game wasn't on yet ... he couldn't be bothered with nothing.

The Derailers at Johnny D's

Went to see the Derailers on Sunday night at Johnny D's in Somerville. Fantastic drumming by Scotty Matthews and excellent, acrobatic keyboard playing by Basil McJagger. He had his electric piano and his organ lined up in front of each other and he'd dash back and forth between songs and during songs (while not knocking over the pints he stashed beneath them). At one point he actually stood on his head on his organ while playing it. They closed with a medley of every song you've ever heard, including L.A. Woman, Mr. Spaceman, Tutti Frutti, [theme from] Batman, Act Naturally, I'm a Believer, and a couple of songs of their own. My ears were still ringing when I went to bed.

NERAX 2010

We had never been to NERAX but always meant to go sometime. We went this year to the 14th New England Real Ale Exhibition in a nice room in an old marble building in Davis Square. We ran into Laurel and Mike there and we all stood around and traded beers and stories for a few fantastic hours.

"Real ale" or "cask ale" (http://en.wikipedia.org/wiki/Cask_ale) is a sobriquet for beer produced by a certain, traditional, manufacturing and distributing process. The key is the beer undergoing fermentation in the vessel from which it is served and then being dispensed without help other than gravity or natural air pressure.

We were there for the opening of the festival and a good number of the firkins they had shipped in were ready for tapping. Others weren't ready yet (the festival lasts 4 days) and we missed a few we had looked forward to. We mostly drank halves (half imperial pints ... did you know that the imperial pint is a more modern unit of measure than the American pint??) and managed to sample a good number of beers.

Here's an annotated list of what we had. These are all among the crème de la crème, so put no significance if I damn by faint praise, I was probably distracted:

1. Acorn Brewery (England), Golovka Imperial Stout - very similar to the Imperial Stout I make with a hoppy profile over the dark malts, just like mine
2. Dark Star (England), Hophead - a nice session pale ale with some interesting flavors
3. Elland Brewery (England), 1872 Porter - a recent contest winner and you can see why, beautifully full and smooth taste
4. Fuller's (England), Gales HSB - a dry, classy bitter like they don't make in this country, I love Fuller's beers and wish the ESB had been on! (the Pride was but we didn't get to it)
5. St. Austell (Cornwall), Winter Warmer - we've vacationed in Cornwall at Christmas right near the brewery and this was the first one I tried last night ... like going home
6. Cairngorm (Scotland), Black Gold - rich and heavy Scots beer, is that possible??
7. Fyne Ales (Scotland), Vital Spark - a fizzy bitter with a little taste of roast barley, kind of a Scots chick beer
8. Harviestoun (Scotland), Old Engine Oil - my idea of a dark ale, reasonably tart balanced by some nice aftertastes
9. Isle of Skye Brewing (Scotland), Black Cuillin - very complex but might have needed some more age for its gravity
10. Brecon (Wales), Six - we've also holidayed in Brecon and I was really looking forward to Brecon's award-winning Rambler's Ruin, but it wasn't on; the Six is a lighter, rye beer with some high notes
11. Günther Brau (Germany), Märzen - a nice Munich ... not used to a lager from a cask!
12. Allagash Brewing (US), Black - wonderfully flavorful like an Bach (ah, Bach) organ romp
13. Blue Hills Brewing (US), IPA - fresh hops, good malt, the kind of simple beer I love
14. Moat Mountain (US), Moat Square Tail Stout on Oak - a remarkable beer that should be in a museum; an incredible assortment of flavors
15. People's Pint (US), Pied pIPA - the hop champion of the day ... you could smell the hops from across the room but the beer was remarkably well-balanced for that

The Ancestors

We have a couple of old portraits of ancestors with decaying plaster/gilded trim that my grandmother was desperate to pass on to a descendant who'd care for them, back when she went from a nicely-sized apartment to a smaller one years ago, in the course of her gradual shedding of worldly and earthly concerns. My Dad, who's now in that way himself, recently discovered some notes she'd made about the portraits. He'd been unsuccessful in trying to remember who the people in the portraits were ... all we knew was that they were some relatives.

We found "A Genealogy of the Nye family, Volume 1," by George Hyatt Nye, Frank Eugene Best, Robert Glen Nye, Luther Bert Nye, Nye Family of America Association, digitized on Google Books ... and this corrects some dates. Here's what my grandmother's notes say with those corrections:

There were two Chaddock brothers:

1) Joseph Chaddock, born 1724, died 1812

2) Calvin Chaddock, born 1765, died 1823

• born in Brookfield, Mass.
• graduated Dartmouth College, 1791
• ordained in Rochester, Mass 1793 (Congregational Church)
• founded Hanover Academy 1808
• Representative to the General Court 1811

3) Calvin married Meletia Nye and they gave birth to...

Ebenezer Nye Chaddock, born 1793, died 1880 (subject of one of the portraits)

• fought in the Battle of Lake Erie (age 21) on Ticonderoga under Commodore Perry
• pressed into British Navy, escaped by swimming ashore to the Connecticut coast

4) Ebenezer married Hannah Gibbs Fearing in 1817; they gave birth to...

Abby Fearing Chaddock on October 6, 1818 (subject of the other portrait)

5) Abby married John Avery Parker Allen, 1840 (we have his Civil War sword on the wall in Maine); they gave birth to...

Lucy Cushing Allen, 1841 (we have a photograph of her holding her baby granddaughter, my grandmother)

6) Lucy married Obed Clement Nye, they gave birth to...

Alice Sumner Nye on July 30th, 1877

7) Alice married William Howard Russell on June 14th, 1902; they gave birth to...

Sylvia Rousmaniere Russell (my grandmother) on July 27th, 1903

8) Sylvia married Standish Tabor Bourne (my grandfather) on October 15, 1924

So my son's been sleeping in a room with his great-great-great-great-grandmother and her father snoozing along with him.

Ice in Early March

We’ve had a very wet late-winter, mostly rain and high winds. The snow is almost all melted, especially in the wooded areas where it was never that deep anyway.

The rivers, of course, are extra-super high with the ice that must be downstream backing them up and the heavy, cold rain trying to flow down the hills. I’ve been wondering about kayaking … maybe this weekend when it’s supposed to be in the 50s and sunny.

My friend warns me that ice is still in, especially in places where the sun rarely shines, and though the water is spreading all over the winter-sparse floodplains, it’s still running dangerously fast, turbulent, and confused because of normal channels not being available.

After work yesterday I went by the put-in on 117 and walked down to the little inlet there. The water is so high that you could paddle straight into Fairhaven Bay through the sunken trees. However, the ice is a problem. It’s melted in a ring around the shore, but a bit farther out it manifests itself as shelf after shelf in shades of gray-blue and green-brown, some lurking beneath the water as if they’re anchored to the bottom still, waiting for sudden Spring release, and some crowding and swarming over each other like tectonic plates.

You could paddle around the ice but as I say, it’d be a problem up there. Also, the water’s so high that the bridge is impassable … no room underneath it even for a kayak. I’ll check farther downstream after work today!

Letrero en el Camino

You know the signs people leave around saying "Cuidado, piso mojado!" ("Be careful, wet floor!") after they mop the floor? The staff here have an annoying habit of leaving those signs right in doorways or right around corners, so the signs themselves are more of a peril than the thing they're warning about. I've been fretting about this, and have felt the need to come up with an alternative sign:

Cuidado, letrero en el camino!

I've printed out copies and am pasting them over every applicable sign. I mean, which hazard is more immediate?

Skiing on 2/13

Went skiing yesterday at Waterville Valley and brewed pilsner today.

My friend and I were going up the chairlift that lofts over the beginner-intermediate green/blue slopes and saw a father leading his son (7 years old??) downhill. The son had taken off his skis and they were headed for the lodge. Skiers will sometimes scoff at one who has taken his skis off and surrendered to the mountain ... and probably faces a tougher walk downhill than if he/she had given it a little more effort and side-slipped down the slope. Anyway, the son had bailed and the dad seemed to have no problem with that.

My friend and I both have all our kids in college now and are about to be led by them rather than doing the leading. We talked about a recent Boston Globe article counseling parents to surrender to the realities of being a parent rather than trying to impose our world-views and (e.g.) our athletic prejudices on our kids.

We went in for lunch a few runs later and saw that same father/son combo sitting on the deck, drinking juice and talking. I commented to my friend: "That's a good Dad." I hope he heard me.

Emmylou at Hampton Beach

Saw Emmylou last October at Hampton Beach Casino and she opened with One of These Days from her second record. Here's a video of her doing the song about 20 years ago:

... but Buddy played with her and it was more like this (can't embed this video).

Then she went on and let it rip all night. She managed to channel herself from all parts of her career ... just a fabulous concert.

Bugs on water

After talking with you last night about bugs I remembered a magic moment with the real world I'd had recently.

I was kayaking by myself on the Concord River on an overcast but clearing day in mid-late Fall.

I was heading Southeast and the sun peeking through the suddenly clear sky was behind me and beautifying things up something special. It was in the Great Meadows National Wildlife Refuge and the golden softness where the sun hit the brown-red bushes and the black-gray shadows they threw on both sides of the river were captivating. Added to that, it was totally still and the wide water in front of me was a huge, endless mirror of gray-black trees, a few dark red leaves, sky, and clouds. I could see high jets leaving arrow-straight contrails in the water in front of me.

I was captivated by the ripples set off by my bow and how they became parabolas in the black, blue, and white picture of the sky I was paddling through. Following one of these I saw a miniature sight that literally made me sputter at the beauty of it. There seemed to me to be no wind, but a tiny spider had spun one thread that drifted up into the air and became a kite for him. He was skating on the surface tension of the water, being pulled along at what must have seemed an incredible speed. The sun glinted off his long kite-thread.

It's hard to read bugs' expressions, but this little guy seemed to not have a care in the world. Sure he would have liked his thread of spider-silk to catch on a bush so he could start a web and catch other insects. But this wasn't the highest priority. Maybe he would never reach shore ... it was a wide river after all.

Editorial: that's one reason why I love kayaking, that you can see stuff like this. Our neighbor in Sedgwick once observed that sometime when she sees me go kayaking I just stop after a little bit and don't do anything for a while and then take off again. I told her that's absolutely right, I need to slow down once in a while and give myself time to start perceiving the incredible detail that's around us constantly.