Sunday, June 22
Woke up on Sunday after a pretty good sleep, and it was raining steadily outside on a refreshing, cool morning. This was fine with us, especially when all forecasts agreed that it would clear up soon. And it did, the cloud cover slowly moving East and becoming thinner until the sun started peeking through.
Had a peanut butter everything bagel and some iced tea out on the porch, and the others started getting up. No fishing this morning but lots of plans for the day and the Summer to talk about. Michelle laid out a breakfast buffet on her card table, and we all ate bits of stuff. We eventually got our clothes and gear packed back in the car and took off at about the same time as we had yesterday.
Got another nice parking spot in the shade, and Sarah got in the “bags” line while Dave and I, with just chairs, were almost first in the “no bags” line. They let campers set up their chairs before those in line (they’re already in the fairgrounds), so we did not have our pick of spots, but we set up in almost exactly the same place as the last two days, which was great. Got some more morning iced coffee from the Dean’s Beans truck and started wandering around. The ground was just a little squishy from the overnight rain, and it was already turning into a hot, humid day.
First up for me was Truman Sinclair at noon on the Back Porch stage. He’s a skinny 22-year-old who looks younger than that, has one album out, has bangs down to his nose, and plays some very good bluesy and folksy originals with his trio (drums and bass), who look just as young. He’s got very nimble, long fingers and a good sound on his acoustic, nice songs with nice chord changes. Sinclair has lots of talent, and he gets out the harmonica rack and does a very credible job of accompanying himself, but he needs a good lead player.
Left his set a bit early and got up to the front of the main stage for Chaparelle, along with several people who were very excited to see them. I hadn’t been right up front at that stage yet and I was very impressed by the dozen or so huge speaker boxes they had lined up there, to go with the speakers on stage and the ones hanging from the scaffolding. It was no surprise I’d been able to hear every note from the main stage in the parking lot yesterday! One great thing about GRF has always been their sound and this year was no exception. There were no glitches or drop-outs, everything was mixed very well, and the quality of the sound was top notch. The rare frantic scrambles by the musicians were because of their filters misbehaving, the PAs at all stages were flawless.
Chaparelle is fronted by Zella Day (looking amazingly sexy in a skin-tight dress and high heel boots) and Jesse Woods, and they also had a bassist, drummer, and lead guitarist. Can't say I thought much of them though, all hat and no cattle. They have some slightly catchy originals but sing and play just for drama, no sincerity ... not a real country band even though they’ve got the optics. Their arrangements are pretty simple and rely on a loud lead guitar and a thumping, repetitive bass. But they did a nice cover of Why You Been Gone So Long, and one of their originals really stood out, Bleeding Hearts.
Time to go get a spicy ahi bowl from Hometown Poké and Bubble Tea, which was *very* spicy! Then over to the strangely (relatively) empty Dean’s Beans stage to catch Chicha Libre. They’re a Brooklyn band that plays mostly Peruvian music, and I was really looking forward to seeing them, but they left me a little flat. They feature Olivier Conan on lead vocals and cuatro, Vincent Douglas on rhythm electric guitar, Nick Cudahy on bass, Neil Ochoa and Karina Colis on percussion, and Joshua Camp playing leads on keytar and accordion. Several elements of their sound were very interesting, such as the keytar leads and Ochoa’s large guiro. Nice, danceable beats but nothing flashy or catchy. I went back to the car for a quiet break towards the end of their set and missed their cover of the Clash’s great Guns Of Brixton, but I could hear it fine in the parking lot.
This meant I missed the beginning of the set from Grace Bowers & the Hodge Podge, starting at 2:30 on the main stage, and I was sorry I missed a note of it! I thought Truman Sinclair was young, but she’s just 18, based in Nashville, with a mop of frizzy hair, was wearing short shorts on that hot afternoon, and is an astounding blues guitarist. She had a keyboardist, another electric guitar, a drummer, a vocalist, and a bassist, and they were a very good band. Bowers has great control of her guitar sound, playing non-stop like a Derek Trucks and dueling with her other guitarist on some tunes for almost a Duane Allman/Dickey Betts sound. She does some vocals but doesn’t have a great voice, but her female vocalist sure picked up the slack and belted out the dirty blues and the aggressive ballads, great range and expression from her.
Out to the car after that for another attempt at a nap as the hot afternoon stretched on. Then back to the Main Stage eventually for MJ Lenderman & the Wind, another pretty good band who’s runaway popularity puzzles me. They were pretty tight and had good arrangements with two guitars, drums, bass, keys, and pedal steel/fiddle. They also produced some interesting sounds, such as the pedal steel player using a bow like he was Mickey Hart on The Beam. But Lenderman is a perpetually sad and whiny musician, who even when he starts off an upbeat song with a smile soon starts complaining. Some of his lyrics: “I ate too much at the fair,” “I got sick … at the fair,” “It falls apart, we’ve all got work to do and bad arches.” I may have some of these a little wrong, but you get the idea.
But I took off before he depressed me too much for one more beer and to get a good place to stand for Futurebirds at the Back Porch stage. Good thing I got there in time because the crowd filled in quickly and this was a very popular set, the crowd loved this band, as did I. They’re a bunch of guys from Georgia who met in college 15 years ago and play energetic, fun, country/Southern/surf/roots rock and throw in a few ballads and tearjerkers. They came on stage to Alan Jackson’s Chattahoochee (“a pyramid of cans in the pale moonlight”) and that set the tone. They have a great mix of telecaster (Thomas Johnson), big Guild bass (Brannen Miles), stratocaster (Carter King), and Gibson acoustic (Daniel Womack) with a dynamic drummer (Tom Myers). I could have watched these guys play for hours, but with the amount of jumping around and goofing on each other that they do on stage they must have been pretty worn out after an hour and a quarter packed with guitar music.
OK, time for the last act of the weekend. I got another plate of rice and beans with guacamole from La Veracruzana, navigated back to our seats at the Main Stage without spilling it, and sat down to enjoy Sunday’s headliner, Waxahatchee. They’re yet another good but not great band that somehow is very popular and has been around for a while, and they played a very enjoyable set. The band is led by Katie Crutchfield who IMO has a nasal, limited voice, but she uses it well, it fits comfortably with her songs, and her band has a rich, bassy, indie rock sound. She played with another guitarist, a bass and drums, and two musicians who alternated between keyboards, pedal steel, banjo, and electric guitars. Crutchfield asked MJ Lenderman out for a song (they recently collaborated) and it didn’t take long for him to start complaining.
And at that it was time for us to leave. Didn’t want to get stuck in traffic and we wanted to get home and see how the kitties had been holding up to the heat. We got back to the car and thankfully cranked the air conditioning, it had been another long, hot day, and we were all sticky with sweat, sunscreen, and who knows what else. No trees blocking route 91 and then route 2 on the way home but a lot of bad drivers taking up more space than they should. Still made it straight back with not much trouble.
So how would I sum up GRF 2025? One thing that really stood out was that it doesn’t take a big band to make a big (or good) sound. The largest band we saw was Thee Sinseers, which had 10 great players, and a couple of bands had six. But most of the bands were basic quartets or even trios … the average size of the bands I saw was 4.76 people. Another thing that comes to mind about the weekend was it was filled with great guitar sounds, from Zac Sokolow, Sully Tuttle, Grace Bowers, and many others. What a fun weekend, though exhausting!